COMMENT ⊗   VALID 00003 PAGES
C REC  PAGE   DESCRIPTION
C00001 00001
C00002 00002	. DEVICE XGP    
C00004 00003	.FILL
C00006 ENDMK
C⊗;
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.font 3 "METS"
.font 4 "MUS[HHA,LCS]"
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.<< Put in a footnote. >>
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ENTRY
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.FILL
passing chords (see Bach, %2Partita #1 in B%4F%1, Gigue;
Mozart, %2Fantasy in C%1, K.394).  However, in 19th-century music,
details of voice leading (especially the melodic skips) often tend
to give functional importance to the inner chords of strings of
diminished chords (see Chopin, %2Etude in E%1, Op.10,#3, measure 38,
etc.; Liszt, %2Transcendental Etude #6, "Mazeppa"%1, beginning).
.INDENT 6

	Most often the return to the main tonic will not be made by 
the same route as was the departure.  When this happens, a pivotal
tonic may appear in the middle area of the analysis (see below at
the sign *).
.begin verbatim

Example 62
.end
.CENTER
%5⊂⊗⊃L(7.9,2.53):62x.PLT[HHA,LCS]⊂⊗⊃%1
.skip 6
.begin verbatim

Figure 62
.end
.CENTER
%5⊂⊗⊃L(8,4.8):62F.PLT[HHA,LCS]⊂⊗⊃%1